Tag Archives: Theater

SLAVA’S SNOW SHOW ANNOUNCES MOBILE RUSH POLICY

FOR IMMEDIATE RELEASE
Press Contact: Vivacity Media Group, 212-812-1483
Leslie Papa, leslie@vivacityny.com
Whitney Holden Gore, whitney@vivacityny.com 
Kelly Wells, kelly@vivacityny.com
Maggie Trabucco, maggie@vivacityny.com  

MOBILE RUSH POLICY ANNOUNCED
FOR TONY-NOMINATED & OLIVIER AWARD-WINNINGBACK ON BROADWAY
FOR A LIMITED HOLIDAY ENGAGEMENT
AT THE STEPHEN SONDHEIM THEATRE
NOVEMBER 11, 2019 – JANUARY 5, 2020 

 TICKETS ON SALE NOW AT TELECHARGE.COM
MOBILE RUSH TICKETS AVAILABLE THROUGH TODAYTIX

(New York, NY – Wednesday, October 30, 2019) – Producers David Carpenter, John Arthur Pinckard, and Hunter Arnold are thrilled to announce that the Broadway return of the Tony-nominated, Olivier Award-winning international sensation SLAVA’S SNOWSHOW has partnered with TodayTix to offer $35 mobile rush tickets beginning at 9 AM EST each performance day. The rush will begin on Monday, November 11 for the first performance at the Stephen Sondheim Theatre (124 W 43rd St., NYC). Tickets are available on a first-come, first-served basis exclusively through the TodayTix app.

SLAVA’S SNOWSHOW will return to Broadway this winter for a limited holiday engagement at the Stephen Sondheim Theatre from November 11, 2019 through January 5, 2020. Tickets are on sale now at Telecharge.com. The production will feature SNOWSHOW creator Slava Polunin alongside Artem Zhimo, Robert Saralp, Vanya Polunin, Georgiy Deliyev, Aelita West, Bradford West, Alexandre Frish, Nikolai Terentiev, Francesco Bifano, Spencer Chandler and Elena Ushakova. The Snowshow company is made up of a number of clowns; it is rarely known in advance which clowns will perform at which performances. The Opening Night Celebration is November 13, with the Press Opening on November 14. 

 Returning to the New York stage for the first time in over a decade to delight a whole new generation of theatergoers, the singular troupe of SLAVA’S SNOWSHOW brings its spellbinding and romantically wistful theatrical adventure back stateside for the holiday season. Unleashing a breathtaking artistic thrill ride for audiences of all ages and languages, the show offers a dreamlike vision that overflows with magical dynamism and humorous antics, set within an absurd and surrealistic world. Each scene paints a picture: an unlikely shark swimming in a misty sea; heart-breaking goodbyes on a railway platform; an entire audience enveloped in a gigantic web; a wave of vibrant balloons bouncing off the fingertips of theatergoers; and a world-renowned roaring snowstorm of a finale that’s sure to leave audiences spellbound.   

 SLAVA’S SNOWSHOW made its American debut in 2004 and became an instant theatrical sensation, breaking the record for highest grossing show in the history of the Union Square Theatre. Treating New Yorkers to an immersive experience unlike any other, the show incited The New York Times’ critic to confess, ““my heart leapt… [SNOWSHOW] induces waves of giggles and sighs of pleasure.” The off-Broadway production ran for over 1000 performances, won a Drama Desk Award for Unique Theatrical Experience (2005), and then transferred to Broadway in 2008 for a limited engagement which earned a Tony Award Nomination for Best Special Theatrical Event. 

 Now a theatrical classic, SLAVA’S SNOWSHOW pushes the boundaries of family show to its highest standards and has been rewarded with more than twenty international awards, including an Olivier Award for Best Entertainment, a Drama Desk Award, and a Tony Award nomination. Having played the world’s major cities many times over, SLAVA’S SNOWSHOW is a bona fide international sensation amongst theatergoers and critics who have declared it “a thing of rare theatrical beauty not to be missed” (London Daily Telegraph) and “an unmistakably unique, unmissable comedy masterpiece…It is simply and childishly thrilling, it fills you with innocent amazement and it is lyrically beautiful.” (The Independent) 

 Born in a small town in central Russia, Slava Polunin discovered the art of pantomime in high school. As he grew to adulthood in Leningrad, he developed an eccentric version of the form, which he lovingly dubbed ‘Expressive Idiotism.’ From 1979 on, Slava quickly became a fixture on Russian stages and TV, sharing his gifts and continuing to redefine the art of clowning with his poetic and poignant approach to comic performance. This discovery would reach its zenith with SLAVA’S SNOWSHOW, which burst onto world stages at the 1996 Edinburgh Festival to universal praise and wonder. Since its debut, the work has toured constantly, introducing new audiences and generations to its world of dreams, fantasies, and childlike wonder. 

 Created by Slava Polunin, SLAVA’S SNOWSHOW is presented in collaboration with Slava and Gwenael Allan. Production Management is by Tinc Productions and General Management is by KGM Theatrical 

 Tickets are on sale at Telecharge.com. The show is recommended for audience members age 8 to 108.  The performance schedule is Tuesdays at 7 PM, Wednesdays at 2 PM and 7 PM, Thursdays at 7 PM, Fridays at 8 PM, Saturdays at 2 PM and 8 PM, Sundays at 3 PM. Additional performances will be held on Monday, November 11 at 8 PM and Monday, December 16 at 7 PM. The performance on Tuesday, November 12 will be at 8 PM. The performances on Sunday, December 29 and Sunday, January 5 will be at 1 PM and 6:30 PM. There will be no performances on Sunday, November 17; Thursday, November 28; Tuesday, December 17; Wednesday, December 25; Tuesday, December 31; and Wednesday, January 1.Though it is being performed at the Stephen Sondheim Theatre, SLAVA’s SNOWSHOW is not a Roundabout Theatre Company production.

www.slavaonbroadway.com
@snowshowonbway 

 About TodayTix
TodayTix is the premier digital gateway to shows, arts and cultural experiences. Through its mobile-first, design-focused ticketing platform, TodayTix is the place for audiences to discover, explore and engage with the best entertainment their city has to offer.

TodayTix works with more than 1,300 partners to provide the best-priced tickets available in 15 markets around the world, including  New York City, London’s West End, Toronto, the San Francisco Bay Area, Los Angeles, Seattle, Washington DC, Chicago, and Australia. Through innovative digital Lottery and mobile Rush ticketing programs, TodayTix has generated nearly 12M digital lottery entries and 2.5M social shares through 900 activations to date, engaging the spontaneous nature of a younger audience and introducing a new generation of audiences to the venues.

Since launching TodayTix in New York City in December 2013 by life-long friends and Broadway producers Merritt Baer and Brian Fenty, the company has engaged more than 5 million users to connect beyond ticketing into new cultural experiences that bring human interaction back to our digital world.

To learn more, visit www.todaytix.com or download TodayTix for iOS or Android.

PRESS RELEASE: SUDDENLY, a new play based on the classic 1954 noir film starring Frank Sinatra

LIVE SOURCE THEATRE GROUP
PRESENTS
SUDDENLY

THE WORLD PREMIERE PLAY ADAPTED BY GIANFRANCO SETTECASI
AFTER THE SCREENPLAY BY RICHARD SALE

DIRECTED BY TYLER MERCER

WITH DREW ALLEN, HENRY BERRY, CHRIS DIEMAN, PHOEBE DUNN,
ARIEL ESTRADA, SEAN A. KAUFMAN, JOSEPH J. MENINO AND BRENDAN WALSH

LIMITED ENGAGEMENT — OCTOBER 5-20, 2018
AT HERE (145 6TH AVE, NYC – ENTER ON DOMINICK, ONE BLOCK SOUTH OF SPRING)

OPENS SUNDAY, OCTOBER 7TH AT 4 PM
Tickets: http://www.live-source.org/ 

Live Source Theatre Group (Tyler Mercer, Co-Founder & Artistic Director; Chris Dieman, Co-Founder & Artist in Residence), as part of their 7th season, presents the world premiere of SUDDENLY, a new play based on the classic 1954 noir film starring Frank Sinatra, adapted by Gianfranco Settecasi after the screenplay by Richard Sale. Directed by Tyler Mercer, SUDDENLY will play a limited engagement at HERE (145 6th Avenue, NYC – Enter on Dominick, one block south of Spring). Performances begin Friday, October 5th and the engagement runs through Saturday, October 20th, 2018. The Opening is Sunday, October 7th at 4pm.

SUDDENLY is a new play adapted from the 1954 film of the same name, about an attempted presidential assassination that rocks a quiet town in northern California. When the Bensons’ home is placed on lockdown after local law enforcement learns of a potential threat to the president’s passage through the nearby train station, it soon becomes very clear that nothing is as it appears. Set against a post-war backdrop but staged with contemporary urgency, this intense political thriller explores a particularly American culture of violence.

Utilizing Live Source Theatre Group’s signature design-heavy production values, SUDDENLY will blend its stylized 1950s influences in a contemporary production with integrated video/projection design, highlighting the timeliness of this period script as it explores how far we have (and haven’t) come in the national dialogues on guns, the treatment of veterans, PTSD, and the dark side of the American dream.

The cast of SUDDENLY includes Drew Allen, Henry Fin Berry, Chris Dieman, Phoebe Dunn, Ariel Estrada, Sean A. Kaufman, Joseph J. Menino and Brendan Walsh.

SUDDENLY has scenic and video design by Bryce Cutler, costume design by Angela Harner, lighting design by Mary Ellen Stebbins, sound design by Adam Smith, and properties by Brett Warnke. The Production Manager is Emma Ruopp. The Production Stage Manager is Mackenzie Trowbridge. Meghan Rose Murphy is the Associate Producer.

SUDDENLY will play the following performance schedule beginning Friday, October 5th through Saturday, October 20th: Tuesdays at 8:30pm, Wednesdays at 8:30pm, Thursdays at 8:30pm, Fridays at 8:30pm, Saturdays at 8:30pm, and Sundays at 4:00pm, with an additional matinees Saturday October 6th at 4pm and Saturday, October 20th at 4pm.

Tickets for SUDDENLY are priced at $35 and may be purchased now by visiting www.live-source.org/ or by calling 212-352-3101.For special pricing for groups of 10+, contact info@live-source.org, or call 646-598-4803. In-person purchases can be made at HERE (145 6th Avenue) with the Box Office opening 2 hours before curtain.

Live Source Theatre Group was founded in 2011 with the mission to elevate the role of design in the creation, development, and production of new theatrical works. The group uses both classic and original plays to reveal and explore contemporary themes, drawing from a blend of styles, stories, and live sources. With innovative design and technology in constant play with highly stylized performances, Live Source engages audiences through a bold new theatre aesthetic. The company’s inaugural production in 2012, Macbeth, was a multimedia reimagining of Shakespeare’s violent tragedy, invoking midcentury influences from Watergate to On the Waterfront in an exploration of political corruption. This past Fall, Live Source Theatre Group presented the world premiere production of Solstice Party!, a new play by Susan Soon He Stanton (HBO’s Succession), at the A.R.T./NY Theaters, commissioned and developed by Live Source. Critics called it “superb” (The Huffington Post) and “a thrilling and compelling cauchemare” (Stage Buddy). Additional company works include We Are Live, a devised work which blended Anton Chekhov’s The Seagull, with Alfred Hitchcock’s Stage Fright; the English-language U.S. premiere of Bohemian Lights, adapted after Ramón Valle-Inclán’s masterwork Luces de Bohemia; and The Incredible Fox Sisters, a world premiere by Jaclyn Backhaus based on the true events following the infamous séances held in 19th Century by the Fox sisters in upstate New York. Live Source Theatre Group’s Board of Directors includes Chris Dieman, Sarah Dunn, Kathryn Giamo, Tyler Mercer and Bobbi Thompson.

This production is a part of SubletSeries@HERE: a curated rental program, which provides artists with subsidized space and equipment, as well as technical support.

CAST BIOGRAPHIES

Drew Allen (John Baron) was recently seen as Tony Wendice in Dial M for Murder (Ocean State Theatre), nominated for best actor in a leading role as Henry VIII in Copse (MITF/Roy Arias Theatre), Dr. David Blau in Red Angel by Eric Bogosian, (Theatre Row), Lord Capulet in Romeo and Juliet (Connelly Theatre), Ben Casey in Shark Play (Samuel French OOBF Finalist/Classic Stage Co.), Martin in On The Rocks (Theatre at St Clement’s), Robert F. Kennedy in The File on J. Edgar (Wild Project Theatre), Giovanni in We Won’t Pay! We Won’t Pay! (Drilling Co. Theatre), Bernard in Don’t Dress For Dinner (Rosewater Theatre, GA). Recent film roles include JFK in Dick & Jack, which premiered at Cinema Village, and Michael/Jared, twins in The Dumping Fields, official selection for The Art of Brooklyn Film Festival.

Henry Fin Berry (Pidge Benson) was most recently seen in A Very Merry Unauthorized Children’s Scientology Pageant. Favorite roles include Les in Newsies, Small Boy in Billy Elliott, Michael in Peter Pan, Grover Dill in A Christmas Story, and both Zeke and Troy in High School Musical Jr. Henry originated the role of Timmy in the Off Broadway premier of Dance Divas Nutcracker. Henry was a featured vocalist in “The Tony Show” at Carnegie Hall. He is a competitive dancer at Kick Dance Studios (national title winner 2017 and 2018) as well as a member of NYC Tap Crew with Thommie Retter.

Chris Dieman (Bart Wheeler) is an actor, composer, and musician. As a performer, his theater credits include Stravinsky’s The Soldier’s Tale (Newport Music Festival, solo performance), The Smart Set (Cornerstone Playhouse), Dick on Dick (Bowery Poetry Club), The Cherry Orchard (LABA Theater), and workshops with Abrons Arts Center, Guild Hall, and New York Theater Workshop. TV: “Blue Bloods” (CBS) and “Muhammad Ali’s Greatest Fight” (HBO). He began playing piano at age six and later attended the music school of the Rhode Island Philharmonic, and received a B.F.A. from NYU’s Tisch School of the Arts. He serves as the music associate for legendary composer John Kander (Cabaret, Chicago, The Visit). In roles ranging from music transcriber to assistant musical director, Chris has helped Kander and his new writing partner, Greg Pierce, usher two of their world premieres to the stage – The Landing (Vineyard Theatre) and Kid Victory (Signature Theatre in Washington DC and Vineyard Theatre). Chris’ work as a composer includes his one-man show Peter and the Piano, the full-length musical Prohibited Love, a score for ballet called Done Dancing: Suite For Piano, and several other scores for film and dance. As a musician, he played a seven-country tour across Europe with a 35-piece orchestra in 2005. He has worked alongside Bridget Everett, Marin Mazzie, Malcolm Gets, David Hyde Pierce, Julia Murney, Judy Kaye, orchestrators Larry Hochman and Michael Starobin, and directors Liesl Tommy and Walter Bobbie, among many others. He also served as co-producer on the critically acclaimed LYPSINKA! The Trilogy.

Phoebe Dunn (Ellen Benson). Theatre credits include Pipi in Solstice Party! (LiveSource), Karen in J N K 1965 (Live in Theater), Leah Fox in The Incredible Fox Sisters (The New Ohio Theatre), Eve in The Bad Years (Kerrigan-Lowdermilk). TV: Hulu’s “The Looming Tower” (Margie), Travel Channel’s “Mysteries at the Museum: Swimming the Channel” (Gertrude Ederle). Film: Water On The Moon (Bec), False Negative (Emma). Graduate of The Juilliard School of Drama (Group 42). www.phoebedunn.net

Ariel Estrada (Benny Conklin). Off-Broadway: A Persistent Memory (MBL Productions, Jessi D. Hill, dir.); Double Falsehood (Letter of Marque, Andrew Borthwick-Leslie, dir.); Far East, Lincoln Center Theater (Daniel Sullivan, dir.); Shogun Macbeth, Cambodia Agonistes (Pan Asian Repertory Theatre). Selected Off-Off/Regional: Tartuffe (NYITA Nominee), Phoenix Theatre Ensemble; Made in China, Wakka Wakka (NYT Critics Pick); All We Have Left, Eugene O’Neill Theatre Center, Jim Henson Foundation Puppetry Residency; The Imbible (FringeNYC Encore Award); Disoriented, Theater C; Honor, Prospect Theater Company; Miss Saigon, Merry-Go-Round Playhouse; 90 North, Kennedy Center, ASCAP/In the Works Program; Two Gentlemen of Verona, Twelfth Night (Colorado Shakespeare Festival). TV/Film: Title VII, Future Folk, Don’t Let Me Drown; “Occupy White House Sprites,” “Tell Me A Story,” “Blue Bloods,” “The Americans,” “One Life to Live,” “Another World.” Awards: 2018 Rising Leader of Color, Theatre Communications Group. www.arielestrada.com

Sean A. Kaufman (Jud Kelly/Dan Carney) was recently seen in Noël Coward’s Fallen Angels, and soon will be seen in the independent short film, Maturing Youth, a dramedy produced by R&F Entertainment that will be hitting the indie film festival scene over the course of the next year. He also just finished Assistant Directing a different independent film, Joaquin & Luke. Favorite stage credits of his include Twelve Angry Men at Northern Stage, Les Misérables and others at The New London Barn Playhouse, and The Liar at Dartmouth College. He received his acting training from the two-year program at The Maggie Flanigan Studio and is a proud Dartmouth ’13. www.SeanAKaufman.com

Joseph J. Menino (Peter “Pop” Benson). New York: Phoenix Theatre Ensemble: Murrow (one-person show as Edward R. Murrow); The Gambler, Don Juan in Hell, Electra, Agamemnon Home, Art, Iphigenia at Aulis, Hapgood, No Exit, Enemy of the People, The Lifeblood, Antigone, Wolfpit; Jean Cocteau Repertory (nine seasons) including Othello, What the Butler Saw, Travesties, The Importance of Being Earnest; Willow Theatricals: Boys of a Certain Age; Shakespeare Forum: Merchant of Venice; Axis Theater Co.: Woyzeck; New York Classical Theater: Comedy of Errors, Triumph of Love, Twelfth Night; Case Goodmen Productions: Frankie and Johnnie in the Clair de Lune. Regional: Greenbrier Valley Theatre: Enemy of the People; Gretna Theatre: Broadway Bound; ACANSA Arts Festival: Murrow; Arkansas Repertory: Macbeth, Death of A Salesman, Henry V, All My Sons, All the King’s Men, Rough Crossing, Grapes of Wrath. Television: “American Genius: Hearst v. Pulitzer” (NatGeo), “Secret Lives of Stepford Wives” (Investigation Discovery). Film: Forbidden Cuba (2015) directed by Art Jones, Forgetting Sandy Glass (2016), The Sublet (2010).

Brendan Walsh (Sheriff Tod Shaw) A U.S.M.C. veteran, Brendan returned home to pursue his love for theatre. He is a graduate of Columbia University and is an Esper Studio alumni. Brendan continues his studying at HB Studio with Trudy Steibl and Austin Pendleton. He has performed regionally and nationally. Recent works include: Macduff, Macbeth; Vincent Van Gogh, Eulogy for Vincent; Eugene, The Au Pair Man; Claudius, Hamlet. He can be as Moke in the upcoming season of “The Punisher.”

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Comedy Can’t Be Taught ~ A review of Renée Taylor’s “My Life on a Diet”

Comedy Can’t Be Taught!
A review of Renée Taylor’s

“My Life on a Diet”
July 19, 2018
Theatre at S. Clement’s

If ever there was proof that comedy can’t be taught, Renée Taylor is that living proof.

After a lifetime consisting (so far) of 22 plays, 4 films, 9 TV movies and TV series, 3 Broadway shows, an Off-Broadway show, Oscar noms, Emmy and countless other awards, and a 52 year marriage to the man of her dreams, actor/director Joseph Bologna, Renée Taylor is still at it – and still trying out new diets!

In “My Life in a Diet”, co-written and originally directed by her late husband, Ms. Taylor, at a spry 85 years young, delivers a hysterical 90+ minute monologue about her life which sparkles and shines almost as much as the dress she wears. 

Best known for her role as Sylvia Fine, Fran Drescher’s food obsessed mother in “The Nanny”, Ms. Taylor started her acting career at age 15 in a Purim Pageant at Madison Square Garden and earned her Actor’s Equity card at age 19 for her appearance in “The Rehearsal” on Broadway. A Wikipedia or IMdB search will tell you all the details of her amazing credits, what I will tell you is this show is a goldmine of stories, Hollywood secrets and a personal journey that is a master class in comedy and story-telling that should not be missed.

Her on stage biography is liberally sprinkled with anecdotes about Hollywood legends such as Joan Crawford, Marilyn Monroe, Marlon Brando, Cary Grant, Barbra Streisand, and her mother, Frieda, the ultimate stage mom.

Ms. Taylor also shares the myriad of fad and celebrity diets she has tried over the years. As she says, “I used to think that if I ate like star, I just might live like one!”

Ms. Taylor is living proof that you’re either born with it or not. Go see a living comedy legend  for a delightful evening of laughs and tears. There is nothing like it on or off Broadway right now.

Elli with Renée Taylor @ “My Life on a Diet” 07.19.18

*********************

MY LIFE ON A DIET is presented by Mr. Schlossberg in association with Morris S. Levy, Rodger Hess, Harold Newman, Jim Fantaci, Andrew Tobias, andRonald Glazer/Sabrina Hutt.

MY LIFE ON A DIET has set design by Harry Feiner, lighting design by Stefanie Risk and sound design by Jay Risk.

MY LIFE ON A DIET will be performed Off-Broadway at Theatre at St. Clement’s (423 West 46 Street, btw. Ninth & Tenth Aves). The limited engagement runs Thursday, July 12ththrough Sunday, August 19th. UPDATE: Now extended thru Sunday, September 2nd. The performance schedule is as follows: Wednesdays at 2pm, Thursdays at 7pm, Fridays at 7 pm, Saturdays at 2 pm and 7pm, and Sundays at 3pm.

Tickets to MY LIFE ON A DIET — priced at $65 ($75 premium seating) — are now available online at MyLifeOnADietPlay.com or by calling Telecharge at (212) 239-6200.

Follow Renée Taylor online:
Facebook:         https://www.facebook.com/Ren%C3%A9e-Taylor-394298697354583/
Twitter:            https://twitter.com/ReneeTaylor1613
Instagram:       https://www.instagram.com/official_renee_taylor/?hl=en

PRESS RELEASE: ‘THE SCARLET PIMPERNEL’ WILL PLAY IN CONCERT FEBRUARY 2019

PRESS RELEASE
For Immediate Release

MANHATTAN CONCERT PRODUCTIONS ANNOUNCES

‘THE SCARLET PIMPERNEL’

IN CONCERT

Related imageNew York, NY, June 27, 2018 – Manhattan Concert Productions (MCP) is pleased to announce the seventh annual presentation of its beloved Broadway Series with the critically acclaimed musical The Scarlet Pimpernel, for one night only at David Geffen Hall, Lincoln Center on February 18, 2019 at 8:00 pm. Jeff Calhoun (Stage Director) and Jason Howland (Music Director) will lead this concert performance of The Scarlet Pimpernel featuring a chorus of over 200 singers from across the United States, a stunning professional cast and creative team, and the outstanding New York City Chamber Orchestra.

With music by Frank Wildhorn and lyrics and book by Nan Knighton, The Scarlet Pimpernel is based on Baroness Orczy’s famous 20th-century novel of the same name, which takes place at the peak of the French Revolution and the fight for liberty, equality and fraternity. Set in England and France, The Scarlet Pimpernel tells the story of an English nobleman, Sir Percy Blakeney, who adopts a secret identity to battle the forces of evil during the Reign of Terror of the French Revolution. The Scarlet Pimpernel serves as a brilliant window to life in 18th-century England, and was a precursor to the spy fiction and superhero genres, featuring a hero hiding under an alias. The musical made its Broadway debut at the Minskoff Theatre on November 9, 1997 and ran through January 2000 in several theatres, has had numerous regional U.S. productions, and has been produced internationally in Germany, Finland, the Netherlands, United Kingdom, Ireland, Sweden, Canada, Mexico, Malta, and Norway.

The Scarlet Pimpernel joins MCP’s previous Broadway Series concert performances, which include Broadway Classics in Concert (2018), Crazy for You  (2017), The Secret Garden (2016), Parade (2015), Titanic (2014), The Hunchback of Notre Dame workshop (2014), Broadway Classics in Concert (2013), and Ragtime (2013).

Tickets for The Scarlet Pimpernel will go on sale in July with cast and creative team to be announced soon.

ABOUT MANHATTAN CONCERT PRODUCTIONS

Manhattan Concert Productions (MCP) is an esteemed production company in its 20th Anniversary season. MCP has provided performance and travel opportunities to thousands of musicians in choirs, bands, and orchestras at famous venues throughout the United States and many countries abroad. The guest musicians of The Scarlet Pimpernel chorus will spend five days in New York City rehearsing and performing with the professional cast and crew as part of Manhattan Concert Productions’ continuing mission of student and professional collaboration. Visit www.mcp.us to learn more.

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Guest Review: THE BAND’S VISIT at the Ethel Barrymore Theatre 

“The Accidental Tourists”

A review of
THE BAND’S VISIT: a New Musical
At the Ethel Barrymore Theatre 
June 6, 2018

 
One pronunciation mistake at a bus ticket window results in the visiting Alexandria Ceremonial Police Orchestra arriving in the remote town of Bet Hatikvah instead of metropolitan Petah Tikvah… with no bus out until the next morning.  THE BAND’S VISIT traces the course of this one night where different people, Egyptian Musicians and Israeli Townsfolk are thrown together by this mishap and get to know each other.  As the mutual caution lifts, people come out of their shells, stories are shared and some personal lessons are learned before the Orchestra heads off to their scheduled concert the next day.
Based on the 2007 film of the same name, THE BAND’S VISIT does not set out to bedazzle.  There is no glitz, nor power ballads, nor earth-shaking crises, nor any of the other standard hooks that are usually needed to engross an audience.  What THE BAND’S VISIT has to offer is absolutely outstanding theater as it tells its tale in its own good time.  As the scenes of Mr. Ithamar Moses’s book unfold, the audience member feel like eavesdroppers and at other times like neighbors sharing the evening with these people who are making the best of an awkward situation.
From the opening number “Welcome to Nowhere,” Composer David Yazbek adventurously creates evocative music and lyrics that truly blend into the play:  Each character is given a special voice representing their own life and ethnicity and the songs heighten the different moments of this one evening where people share their time.  Common pleasures and desires form bridges in numbers like the wonderful “Omar Sharif” where Dina remembers enjoying Egyptian Movies on TV or when the hapless youth Papi explains how he is uncomfortable talking to women in the hilariously and sweetly self-pitying “Papi hears the Ocean.”
From the very first, we can see that the Alexandria Ceremonial Police Orchestra is not the orderly group that Colonel Tewfiq Zakaria would like it to be.  Mr. Dariush Kashani is superb as the quiet Orchestra leader who begins by trying to keep his feelings, the Orchestra and the situation in tight control and slowly and cautiously opens up in the company of Dina, the local Café owner.
Ms. Katrina Lenk is unforgettably Dina, the café owner who comes to the aid of the stranded Orchestra.  The extraordinary Ms. Lenk lets us see a soul that is fading in the lackluster world of Bet Hatikvah come to full passionate life for at least one night.  Whether she is casually describing the loss of dreams in “It Is What It Is”, sweeping us along in “Omar Sharif” or delivering the piquant “Something Different’ with its memorable lyrics “The Honey in Your Ears/The Spice in your Mouth”, Ms. Lenk gives a unforgettable performance that keeps the audience wanting more.
If Dina has been marking time after losing her romantic hopes, young Papi is currently in the throes of an infatuation that incapacitates him and Mr. Etai Benson is appealingly and comically recognizable as the really nice guy who can never do the right thing around his crush.
Jazz-inspired Haled makes for a good contrast to Papi in that he always has something to say to an attractive lady.  Haled’s cool-cat attitude can backfire, but if Mr. Ari’el Stachel’s character wants to be a charmer, the audience is more than willing to buy in.
Haled’s band mate Simon is a composer who has never finished his one concerto.  Mr. Alok Tewari shows us this shy but skilled clarinetist who finds himself a guest in Itzik’s home.  Itzik is also a person who never quite completes things, but if he is without any ambition, Mr. John Cariani makes him a downright loveable guy – even if we fully understand his wife’s frustration with his drifting.  Itzik’s Father-in-Law Avrum keeps out of the young couple’s friction and hits it off with Simon as a fellow musician.  Like many of the roles, in THE BAND’S VISIT, Avrum’s time onstage is limited and Mr. Andrew Polk truly makes the most of it, singing Avrum’s rousing story of meeting his wife, “The Beat of Your Heart.”
Even though so many of the parts are brief they are carefully filled by the marvelous cast of THE BAND’S VISIT whether as locals or as the actual orchestra that accompanies the show, but one last mention has to be made about Telephone Guy, the young man whose girlfriend left town some months before and had promised to call him – on the only pay phone in town.  Mr. Adam Kantor gives a noteworthy performance in a role that ranges from schlemiel – HOW many months has he been waiting for that call? – to surreal hero.
Some directors might have given THE BAND’S VISIT a more compact pacing and a different focus.  However, Director David Cromer wisely keeps things more diverse, taking full dramatic and comic advantage of the slowly dissipating air of painful embarrassment and reluctance that arises when the Orchestra realizes it in the wrong town and the citizens of Bet Hatikvah find themselves stuck hosting a group of unwilling guests.  Mr. Cromer easily moves from story to story and back revealing various private scenes as if by chance, adjusting the pace as needed.  Dialogue flows to match the language skills and comfort levels of the characters and it is very clear that Egyptians and Israelis are speaking English so they can understand one another, but will naturally revert to Arabic and Hebrew as the stress of the situation dictates.  Furthermore, Mr. Cromer recognizes that in Israel, one may hear a variety of accents even in a place as nowhere as Bet Hatikvah.
The musicians of THE BAND’S VISIT seem to be in a wonderful, show-long jam session where tunes are picked up and then tweaked as players join in, forming groups of different sizes that can build to the striking sound of the unified orchestra.  There is a whole musical palette on display ranging from suave to joyously raucous and clearly Musical Director Andrea Grody is making the most of Mr. David Yazbek’s compositions – orchestrated by Mr. Jamsheid Sharifi, with additional arrangements by Ms. Grody.  No matter what direction a song might take, the style always places us firmly in the Middle East.
The locale is also established through the amazing skills and united work of Mr. Scott Pask’s scenic design, Ms. Maya Ciarrocchi’s projections and Mr. Tyler Micoleau’s lighting.  I cannot imagine how much care must have gone into the planning but turntables, sets and lights work together effortlessly and unobtrusively to shift the show from scene to scene without ever breaking the sense of milieu.  Choreographer Patrick McCollum also shows his skills in this aspect because the characters are able to move so smoothly through the changing settings as well as set off the musical numbers.  Even when performers are sitting still in a song, Mr. McCollum arranges onstage images that are downright beautiful.
Ms. Sarah Laux’s costumes do much to set up the characters, whether in the uniformed Orchestra which aspires to some sort of regimental air, or the casual look of the inhabitants of Bet Hatikvah.
The sound of the Orchestra and of the other performers is quite natural thanks to Mr. Kai Harada’s subtle sound designs which even allow for a sense of direction onstage.
While it may not overwhelm with flash and glamour, THE BAND’S VISIT should please anybody looking for incredible storytelling with excellent music and truly brilliant performances.

The Ethel Barrymore Theatre
243 W 47th Street (between Broadway & 8th Avenue)

To Buy by Phone:
Call Telecharge 212-239-6200

Running time:
90 minutes (no intermission)

Audience:

Ages 12+;
Children under 4 are not
permitted in the theatre.

Box Office Hours:

Monday – Saturday
10:00am – 8:30pm
Sunday
12:00pm – 6:00pm
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https://www.youtube.com/watch?v=mRaHXBNn8FM

About the reviewer:

MOSHE BLOXENHEIM
I am a computer programmer, wannabe writer who loves theater and just got into the habit of inflicting my theatrical opinions.
I live in New York.
 Moshe can be reached at MB1224@aol.com

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An interview with comedian Ashely Blaker

Broadway Kingdom was fortunate to be able to sit down with Ashely and talk about things – and talk we did for almost an hour!

At first glance, one might think Ashley Blaker is just an Orthodox Jewish Nerd but then, he begins to speak and the comic gems that flow out are pure genius – and you, my amazing viewers and readers, all know how much I admire genius.

Ashley Blaker Strictly Unorthodox is 90+ minutes of “things about Observant Jewish life and practices you might have thought of but never dared to speak out loud” – so Ashley will say them for you and with a ‘plotz in your seat’ take to boot!

Appropriate for all ages, genders, religious affiliation, or no affiliation at all. Jew, Gentile et al, Ashley will have you in stitches.

So sit down, relax, and enjoy our longest video interview to date… then go see the show!

Ashley Blaker Strictly Unorthodox
May 27th – June 28
Off-Broadway at the
Jerry Orbach Theater
1627 Broadway @ 50th Street.
For tickets phone the box office 212 921 7862
or click here

(tix are cheaper by phone than thru Ticketmaster)
Running Time: 90+ minutes
(Minchah or Maariv may follow the show)
Appropriate for all ages.
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Ashley Blaker is “the UK’s only Orthodox stand-up comedian”. Blaker is a writer for TV and radio and was producer of Little Britain. Mr. Blaker is an alumnus of The Haberdashers’ Aske’s Boys’ School where he was a contemporary of Sacha Baron Cohen and friend of Matt Lucas, with whom he went on to create Little Britain and The Matt Lucas Awards. In 2017, he was commissioned by the BBC to create a show called “Ashley Blaker’s Goyish Guide To Judaism”, described as “an insider’s view of his religion” Ashley will next be see at the Edinburgh Fringe Festival in “Ashley Blaker Observant Jew” at 3pm Sunday-Friday.

For more info on Ashley: CLICK HERE

Ashley Blaker’s Goyish Guide To Judaism on the BBC Radio 4 – stand-up from Ashley Blaker 1 episode in 2018. Due to be broadcast on Sunday 3rd June on Radio 4 at 7:15pm. The program will be repeated on Radio 4 Extra on Friday 8th June at 7:30am.

PRESS: https://nypost.com/2018/05/25/this-jewish-comedian-has-a-lot-to-kvetch-about

Gemma Blaker (Ashley’s Wife)
https://www.thejc.com/lifestyle/family/pesach-with-six-kids-1.461510
http://3principles6kids.com/

REVIEW: Do I make you randy, baby? A review of ‘Randy Writes A Novel’

“Do I make you randy, baby?”

A review of
‘Randy Writes A Novel’
at the Clurman Theatre/Theatre Row

In the world of puppetry, first there was Punch & Judy, then H.R. Puffinstuff, then the Muppets with many, many more puppets woven in and out, but all those were for the kids (or were they?) Then the Adults got Avenue Q and we howled, on Broadway and Off.

Now there’s RANDY and boy, can he be randy!

Randy has written a novel and he wants to share it with us. So for two months Randy will be looking for approval by putting on a nightly show telling all of New York about his novel – or will he? Tonight Randy will talk on Hemingway, Harper Lee, hoarding, Veganism, Buddhism, the human condition and the challenges of being an artist. It seems Randy likes to talk about anything but his Novel! You see, Randy is having a bit of a crisis – is Art still Art if we don’t like it?

Starting out with warm-up comedian Randy, who, after warming up the audience introduces Headliner Randy, the approximately 75 minutes that follow are basically Puppet Stand-Up comedy delivered by a puppet with skilled timing and obvious improv training. Sitting like a talk show host behind his paper strewn desk, Randy randomly focuses his always open ping-pong ball eyes on several audience members engaging them in dialogue as if he could actually see them. He also touches on many different subjects from current events to history, often using  language that would make a sailor blush! This show is definitely for the kiddies, although the night I was there a 10 year old accompanied by his Father!

Randy Writes A Novel is an odd but enjoyable evening of laughter, and insight into the (puppet) mind of an Artist, although I more than suspect we’re actually getting into the mind of the puppet master himself.

From Randy’s press notes:

Star of Australian stage and television makes his much-anticipated US debut!

Randy, the felt-faced comedian, started doing stand-up comedy in 2005 and has since gone on to headline most of the Theatrical Fringe and Comedy festivals around the world, as well as finding success on television with his own show airing on ABC TV in Australia, Seeso in the US and Netflix in the UK.

Randy has played everywhere from Edinburgh to Hong Kong, Galway, to Singapore to Sydney and anywhere in between. Next stop — New York City, Off-Broadway at the internationally acclaimed Theatre Row on 42nd Street

Randy Writes a Novel

Clurman Theatre/Theatre Row
410 W. 42nd St., NYC View on map
Running time: 1hr 15min. No intermission.
Now Playing Through June 10, 2018
Tickets: https://www.telecharge.com/Off-Broadway/Randy-Writes-a-Novel/

Randy Writes a Novel Creative Team

Author: Randy
Director: Randy
Producer:

Randy Writes a Novel Award Winners/Nominees

– Nominee Best Television Comedy Show – ACCTA 2015
– Nominee Best Comedy Release (with Sammy J) – ARIA 2015
– Winner Best Comedy – Perth Fringeworld 2014
– Nominee Best Comedy Release (with Sammy J) – ARIA 2013
– Winner Barry Award for Most Outstanding Show (with Sammy J) –Melbourne Comedy Festival 2010
– Nominee Golden Gibbo Award – Melbourne Comedy Festival 2009

For More Information On Randy Writes A Novel Click Here

The 6th Annual Chanukah with Elli theKingOfBroadway & Friends 2018

* * * * * * * *

I am humbled ב״ה to be presenting

The 6th Annual
Chanukah with Elli theKingOfBroadway & Friends
2018 – 5779 Edition

We are privileged to present it ONE NIGHT ONLY:

Sunday, December 2nd (1st Light Chanukah) @ 7:00pm

The theme is, of course,
Chanukah the Festival of Light & Freedom!

There will be Music, Song, Comedy, Menorah Lighting, Sufganiot, Dreidels, Chanukah Gelt & MORE!

Featuring:
Elli theKingOfBroadway
and an all-star Broadway cast!

Stuart Marshall
Tommy Vance
Ron Orlovsky

with Music by “The Drey-dels”

Elliot Finkel – Piano (MD)

George Rush, Bass
Michael Bellusci, Drums
Daniel Bennett, Clarinet/Sax

TICKET INFO:
$18/Chai Cover Charge – 2 Drink Min
RESERVATIONS A MUST!!!
(212) 279-4200
www.triadnyc.com

-elli-
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Here’s a clip from last year’s 2nd Show
Dec. 19th 7pm @The Triad NYC

Thanks for watching and make your reservations NOW
www.triadnyc.com

 

PRESS RELEASE: Cast Announced for the New York Regional Premiere of THE HUNCHBACK OF NOTRE DAME

Cast Announced for the New York Regional Premiere of

THE HUNCHBACK OF NOTRE DAME

at White Plains Performing Arts Center
December 22 – January 14


The White Plains Performing Arts Center (WPPAC) is proud to the present the first New York professional production of THE HUNCHBACK OF NOTRE DAME onstage from December 22 – January 14.

From the Oscar-winning composer team Alan Menken (Aladdin, The Little Mermaid) & Stephen Schwartz (Wicked, Pippin) comes a lushly scored retelling of Victor Hugo’s (author of Les Miserables) epic story of love, acceptance, and what it means to be a hero. The Hunchback of Notre Dame showcases the Disney film’s Academy Award-nominated score.

The musical begins at the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer who longs to be “Out There,” observes all of Paris reveling in the Feast of Fools. Held captive by his devious caretaker, the archdeacon Dom Claude Frollo, he escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though – the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies – and it’s up to Quasimodo to save them all.

A sweeping score (accompanied by a 15 piece orchestra & 30 person choir) and powerful story make The Hunchback of Notre Dame an instant classic. Audiences will be swept away by the magic of this truly unforgettable musical.

The cast features the talents of Anna Baker (Ensemble), Matthew Billman (Captain Phoebus de Martin), Melanie Burg (Ensemble), Bobby Cassell (Quasimodo), David Thomas Cronin (Saint Aphrodisius), Jenna Dallacco (Esmeralda), Jarrad Biron Green (Clopin Trouillefou), Chris Guzman (Lieutenant Frederic Charlus), Katelyn Lauria (Madam), Joey Nelan (Ensemble), Rebecca Skowron (Ensemble), Dustin Harris Smith (Jehan Frollo), James Smith (Father Dupin), Cecilia Snow (Florika), Anna Laura Strider (Ensemble), Esteban Suero (Ensemble) and James Zannelli (Dom Claude Frollo).

The 30 person choir includes Brian Brammer, Brad Baron, Richie Barrella, Jesse Bush, Sofia Christensen, Rachel Fournier, Mick Gloss, Alexandra Imbrosci-Viera, Brianne Keefe, Sam Kronenfeld, Andrea Levinsky, Tara Llewellyn, Ethan James Lynch, Tyler Mell, Casey Miko, Sarah Ruth Mikulski, Kurt Perry, Frank Radice, Connor James Reilly, Joseph Sanzaro, Hillary Schranze, Rebecca Simpson-Wallack, Jodi Snyder, Jonathan K. Stevens, Sam Sultan, Justin Tepper, Elora Von Rosch, Tara Lynn Wagner, Katherine Ross Wolfe and Jamie Zeidman.

THE HUNCHBACK OF NOTRE DAME is Directed by Frank Portanova with Musical Direction by Stephen Ferri and Choreography by Lexie Fennell Frare. Scenic Design by Christopher & Justin Swader, Lighting Design by Jamie Roderick, Choir Direction by Tom Cuffari, Stage Managed by Jessie Jardon. Music by Alan Menken, Lyrics by Stephen Schwartz, Book by Peter Parnell. Based on the Victor Hugo novel with songs from the Disney film.

THE HUNCHBACK OF NOTRE DAME will play the White Plains Performing Arts Center Friday, December 22 7pm; Saturday, December 23 2pm & 7pm; Wednesday, December 27 7pm; Thursday, December 28 2pm; Friday, December 29 7pm; Saturday, December 30 2pm & 7pm;  Thursday, January 4 11am; Friday, January 5 7pm; Saturday, January 6 7pm; Sunday, January 7 2pm; Wednesday, January 10 2pm; Friday, January 12 7pm; Saturday, January 13 7pm; Sunday, January 14 2pm. The White Plains Performing Arts Center is located on the third level of City Center off Mamaroneck Avenue in downtown White Plains, minutes from the White Plains Metro North Station. For tickets visit the theatre box office Monday-Friday (11am-6pm), purchase the tickets online at wppac.com or call 914-328-1600.

For Group Sales, please contact boxoffice@wppac.com.

THE HUNCHBACK OF NOTRE DAME is a WPPAC MainStage Production which is a professional production featuring union and non-union actors from Broadway, national tours and regional theatre across the country. These productions are created from scratch, staffed with professional production teams (directors to designers), large LIVE orchestras and boast high-quality sets and costumes.

THE HUNCHBACK OF NOTRE DAME is sponsored in part by the Cappelli Organization, The Complete Golfer, Entergy, GA Fleet and Yost & Campbell.

White Plains Performing Arts Center
11 City Place, White Plains, NY 10601

PRESS RELEASE: ROCKTOPIA TO PLAY BROADWAY!

FOR IMMEDIATE RELEASE
Contact: Vivacity Media Group
212-812-1483

INTERNATIONAL MUSIC SENSATION 

TO PLAY BROADWAY

6 EPIC WEEKS ONLY

AT THE BROADWAY THEATRE

MARCH 20 – APRIL 29, 2018

AMERICAN EXPRESS® CARD MEMBERS CAN PURCHASE TICKETS BEFORE THE GENERAL PUBLIC BEGINNING MONDAY, OCTOBER 30 AT 10AM THROUGH MONDAY, NOVEMBER 6 AT 9:59AM

**

TICKETS ON SALE TO AUDIENCE REWARDS MEMBERS
BEGINNING MONDAY, NOVEMBER 6, 2017 AT 10AM

**

GENERAL ON-SALE BEGINS
MONDAY, NOVEMBER 13, 2017 AT 10AM
 

Rocktopia creates a world where Mozart and Led Zeppelin coexist”

– Chicago Tribune 

(NEW YORK – October 11, 2017)This spring, the international music sensation ROCKTOPIA will rock Broadway for six epic weeks, March 20 – April 29, 2018 at The Broadway Theatre (1681 Broadway). ROCKTOPIA is a musical revolution that celebrates the fusion of the best rock songs of the past century with some of the greatest classical music ever written. ROCKTOPIA showcases the works of musical innovators including Mozart, Queen, Beethoven, Journey, Handel, U2, Tchaikovsky, Pink Floyd, Heart, Rachmaninoff, Foreigner, Copland, The Who and more. 

Created through the unique vision of vocalist and recording artist Rob Evan and Maestro Randall Craig Fleischer, a pioneer in the fusion of symphonic rock and world music, ROCKTOPIA delivers one-of-a-kind, spine-tingling musical arrangements with insanely talented lead vocalists, a 5-piece rock band, a choir of 40, and an orchestra of 20.

Developed over eight years, ROCKTOPIA is inspired by the idea that if Beethoven or Mozart were alive today, they would be modern-day rock stars. With extensive knowledge of both genres, Evan and Fleisher looked for common themes, potency, and emotional resonance in the songs before fusing them together to create explosive and moving new musical arrangements.  

“We love both classical music and classic rock. There are so many parallels between the genres and between the “rock stars” who composed and performed them,” says Evan. “With Rocktopia, we want to break down barriers and any preconceived notion of what either genre is about – and electrify and inspire lovers of either musical styles with these completely original new pieces.”

The groundbreaking live concert will be performed by a celebrated, diverse array of rock, Broadway, and opera vocalists: Rob Evan (Broadway: Les Miserables, Jekyll & Hyde and more, multi-platinum recording artist); Chloe Lowery (Chris Botti, Yanni’sVoices);  Tony Vincent (Broadway: American Idiot, RENT, NBC’s “The Voice”); Kimberly Nichole (NBC’s “The Voice,” performs with Janelle Monae, Slash, Joe Walsh, The Heavy); and featuring Alyson Cambridge (The Merry Widow atThe Met, Madame Butterfly, La Boheme, Show Boat). The world-class musicians featured in the ROCKTOPIA band include Grammy and Emmy Award nominated violinist Máiréad Nesbitt (Celtic Woman, Lord of the Dance); acclaimed guitarist Tony Bruno (MD & guitar for Enrique Iglesias & Rihanna, “America’s Got Talent”); pianist Henry Aronson (MD/Conductor/keys for entire Broadway run of Rock of Ages, The Who’s Tommy); bass player Mat Fieldes (Joe Jackson’s Grammy winning album Symphony No. 1, the Gorillaz, Book of Mormon); and drummer Alex Alexander (David Bowie, Jimmy Cliff, Ritchie Blackmore). An additional 40-person choir and a 20-person orchestra enhance every performance of ROCKTOPIA. 

An inaugural performance of the show, “Rocktopia: Live from Budapest” produced by Two Hands Entertainment/Jeff Rowland, was recorded in front of a live audience in June 2016 at the 19th century Hungarian State Opera House for PBS. It was performed with the Budapest Philharmonic Orchestra with six vocalists, a five-piece rock band, the Hungarian State Opera Chorus, and the Jazz and More Choir. ROCKTOPIA has since toured over twenty cities in the United States, featuring local symphonies and choirs across the country. 

ROCKTOPIA is produced by ROCKTOPIA Broadway LLC (William Franzblau, Executive Producer and Maggie Seidel-Laws, Associate Producer) in association with HUGHES WALL LLC.  Additional cast, creative team, and the New York orchestra and choirs that will join each performance, will be announced at a later date.

American Express® Card Members can purchase tickets before the general public beginning Monday, October 30 at 10am (EST) through Monday, November 6 at 9:59am.  Beginning on Monday, November 6 at 10AM, tickets will be available exclusively to Audience Rewards Members via AudienceRewards.com.  Tickets will go on sale to the general public on Monday, November 13 at 10AM via Telecharge.com. Special student pricing, beginning at $39, will be available for the duration of the run.  

Performance schedule, complete creative team, and opening night will be announced shortly.

For Performance Photos, visit: http://bit.ly/2yeP6PJ

For Video, visit:http://bit.ly/2g8tFpI 

WWW.ROCKTOPIA.COM

FACEBOOK

TWITTER

BIOGRAPHIES:

ROB EVAN (Co-Creator, Vocalist) is a highly accomplished actor, singer, and producer with more than 20 years of professional experience in the entertainment industry. He has performed in seven leading roles on New York stages including the original Broadway cast of Jekyll & Hyde, playing the title roles more than 1,000 times over three years. His rendition of “This Is the Moment” was performed at numerous prestigious events, including the 2001 Inaugural Gala for President George W. Bush, the Millennium Independence Day US Naval Revue aboard the USS JFK for President Clinton, the Millennium World Forum Conference with speaker Mikhail Gorbachev, and the New York City Mayor’s Inaugural Gala. Rob also appeared on Broadway as Jean Valjean in Les Miserable, Kerchak in Disney’s Tarzan, The Dentist in Little Shop of Horrors, and Count von Krolock in Jim Steinman’s Dance of the Vampires. Off-Broadway, Rob created the roles of The Dancin’ Kid in Johnny Guitar and the hero Miles Hendon in The Prince and the Pauper. Rob is a member of the multi-platinum-selling band, Trans-Siberian Orchestra. He can be heard on TSO’s The Lost Christmas Eve and Night Castle, which debuted at #5 on Billboard’s Top 100. He was also the lead vocalist for Jim Steinman’s The Dream Engine, and recently released the debut album from his progressive rock band, Menrva Realm. Rob has also been a regularly featured soloist for over 40 symphonies around the world, including appearances in San Francisco, San Diego, Atlanta, Chicago, Hong Kong, and the Czech Republic.

 

RANDALL CRAIG FLEISCHER (Co-Creator) Active as a composer and arranger, Mr. Fleischer is a national leader in the fields of symphonic rock and world music fusion. His works and arrangements have been played by many world-renowned orchestras including the Boston Pops, San Francisco Symphony, Los Angeles Philharmonic, Hong Kong Philharmonic, San Diego Symphony, China Philharmonic, Atlanta Symphony, the National Symphony, and many others. Fleischer has also worked with artists such as John Densmore (The Doors), Natalie Merchant, Blondie, Ani DiFranco, John Cale (Velvet Underground) Garth Hudson (The Band), Kenny Rogers, Chris Baron (Spin Doctors), and Native American artists R. Carlos Nakai, Burning Sky, The Hawk Project, The Benaly Family, and others. Mr. Fleischer’s operatic repertoire includes productions of La Boheme, Turandot, Tosca, Madama Butterfly, Don Giovanni, La Traviata, and others. Fleischer received his Bachelor of Music Education from the Oberlin Conservatory of Music and has studied conducting with Leonard Bernstein, Otto Werner Mueller, Seiji Ozawa, Riccardo Muti, Gustav Meier, and others. He first came to international attention when, at the National Symphony Orchestra, he conducted Dvorak’s “Cello Concerto” with Mstislav Rostropovich as soloist. In December of 1992, Mr. Fleischer conducted an ensemble of more than 70 cellos, including YoYo Ma, and a 190 voice chorus in a tribute to Rostropovich, broadcast on CBS with then-President and Mrs. Bush in attendance. In 1993, Mr. Fleischer conducted a private concert for Pope John-Paul at the Vatican. The Pontiff awarded Mr. Fleischer a medal for his achievements in music. A passionate educator, Fleischer has co-authored several instructional pieces for children in collaboration with his wife, comedian Heidi Joyce, which were premiered by the National Symphony Orchestra, including three rap pieces for orchestra. Mr. Fleischer lives in Los Angeles with his wife Heidi and daughter Michaela.

 

CHLOE LOWERY (Vocalist) is an American singer, dancer, actress, and songwriter born in Largo, Florida. At age12 she was signed to RCA Records, and soon after being signed was featured on two movie soundtracks, Boys and Girl and Joe Somebody. She went on to tour with Big Brother and the Holding Company and work with world-renowned producer Ric Wake, which then led to a collaboration with Yanni on the 2009 Yanni Voices Project. After tours of the U.S. and Mexico with Yanni, she signed to Disney/Hollywood Records as a solo artist. Chloe has since been featured on three Yanni records: 2013’s Truth of Touch, 2014’s Inspirato, and 2016’s Sensuous Chill. Chloe joined multi-platinum selling rock band Trans-Siberian Orchestra performing as Theresa on their Beethoven’s Last Night Tours and continues to work with the band both in the studio and live on stage. Lowery has also toured with Chris Botti, performed with the New York City Ballet as a featured vocalist, and contributed her talents to collaborations with artists like Everclear. Chloe will independently release a solo project in early 2018.

 

ALYSON CAMBRIDGE (Vocalist) is one of the most diverse and compelling vocal artists on the scene today. Her rich, warm soprano, combined with her strikingly beautiful stage presence and affecting musical and dramatic interpretation, have brought her over a decade of successes on the world’s leading opera and concert stages, including The Metropolitan Opera, Lyric Opera of Chicago, Washington National Opera, Los Angeles Opera, Carnegie Hall, London’s Royal Albert Hall, Deutsche Oper Berlin, Vienna Konzerthaus, among others, as well as recent debuts Paris , Warsaw, Beijing, and other musical capitals throughout Europe and Asia.  Her repertoire includes the beloved heroines of Puccini, Verdi, and Mozart (Mimi, Madama Butterfly, Donna Elvira, Violetta, and Micaëla among them) as well as successful forays into the crossover, Broadway and jazz repertoire, most notably with award-winning and critically-acclaimed performances of Julie in Show Boat and Vi in Gershwin’s rarely performed jazz-opera Blue Monday.  Alyson’s debut album, “From the Diary of Sally Hemings,” a song-cycle by acclaimed American composer William Bolcom, premiered at Carnegie Hall’s Weill Recital Hall to rave reviews, and her newest album, Until Now, a mix of jazz, pop, and musical theater standards was released in January 2016 on the Naxos imprint Suite 28 Records, and is available on iTunes, Amazon and Spotify.

 

TONY VINCENT (Vocalist) Best known for his appearance on NBC’s “The Voice”, Tony Vincent is a recording artist, actor and producer. In 1993 Vincent started his own record company, Adobe Flats, writing and producing the EP Love Falling Down that led to a recording contract with EMI records. The two solo albums that followed, Tony Vincent & One Deed, produced six #1 Billboard radio singles. Soon after, Vincent took a detour into rock-based theater, starring on Broadway in RENT (Mark, Roger), Jesus Christ Superstar (Judas Iscariot) and Green Day’s American Idiot (St. Jimmy). He played Simon Zealotes in Andrew Lloyd Webber’s film remake of Jesus Christ Superstar, and is also featured in the film Andrew Lloyd Webber: Masterpiece. Vincent originated the role of Galileo Figaro in the rock band Queen’s We Will Rock You in London’s West End, and opened the U.S. production. He also fronted the band itself, performing “Bohemian Rhapsody” for Queen Elizabeth II, with a live audience of over 1 million people at Buckingham Palace. Vincent independently released two more albums, A Better Way, produced by Adam Anders (“Glee”), and the self-produced In My Head, following his appearance on NBC’s “The Voice”. He is currently headlining the North American symphony tour of The Music of David Bowie, and working as a record producer at his New York recording studio, Soundshop 370.

 

KIMBERLY NICHOLE (Vocalist) exploded onto the national scene on season 8 of “The Voice”, earning praise from Pharrell Williams, Christina Aguilera, Lionel Richie, Mark Ronson and Reba McEntire, with her show-stopping performances, stylish presence and vocal power. Her covers ranked on iTunes’ Top 20 three weeks in a row and made the Billboard 100 Charts. Over the course of her career, Nichole has share the stage with Slash (Guns N Roses), Living Colour, Alice Smith, Janelle Monae, Nona Hendryx (Labelle), Aloe Blacc, Bilal, Joe Walsh (The Eagles) and Jon Bon Jovi. Her mesmerizing performance style has captured the attention and support of Quincy Jones, songwriting duo Ashford & Simpson and fashion savant Andre Leon Talley, who featured her in an issue of Vogue. Her original music has been featured on MTV, VH1, BET, LOGO, Lifetime and Showtime, and Tony award winning director George C. Wolfe personally selected her to be the featured rock performer in his film You Are Not You, which stars Oscar-winner Hilary Swank.  She’s been crowned ‘Mistress of Ceremonies’ at New York City’s wildly popular private night club ‘The Box’, and has received ASCAP Foundation’s “Reach Out and Touch” Award, given to promising songwriters. She most recently was featured in the NETFLIX, Ezra Koeing-created (Vampire Weekend) anime series “Neo Yokio” (starring Jaden Smith, Jude Law, Susan Sarandon and more).

 

TONY BRUNO (Guitar) became the music director and guitarist for Enrique Iglesias in 1999. Since then, he has put together six of Iglesias’s tours and done countless TV performances. In 2005, he partnered with choreographer Tina Landon to create the show for artist Anastacia’s Live at Last tour. He has also worked with artists such as Rihanna, Enrique Iglesias, K’naan, Karmin, Delta Goodrem, and many others. TV production credits include “America’s Got Talent”, “X-Factor”, “American Music Awards,” “Top Of The Pops”, “MTV Music Awards”, TRL, “Wetten Das”, and others. His song “Daylight in Your Eyes” for German artists No Angels was the second best-selling German single of all time. Tony has worked on writing songs with the world’s top songwriters including Shelly Peiken, Lindy Robbins, Kara DioGuardi, and Ty Lacy. In the studio, Tony has lent his extraordinary guitar skills to numerous hit records with top producers like Ted Templeman, Bob Rock, and Desmond Child.

 

MÁIRÉAD NESBITT (Violin) For more than a decade, Máiréad Nesbitt has enchanted millions of fans around the world as the Celtic violinist and founding member of the globetrotting music phenomenon Celtic Woman. Loyal fans of all ages, across geographical and cultural boundaries far beyond the musical heritage of Ireland, have adored her beguiling stage presence and versatile instrumental talents. As the featured violin soloist on all 11 Celtic Woman albums, each title achieved the coveted #1 slot on the Billboard World Music Chart, an Emmy-nomination for one of her companion television specials and her most recent album with the group, “Destiny”, received a 2017 Grammy Nomination for Best World Music Album. Máiréad is also an accomplished solo artist who released her newest album Hibernia at the end of 2016. Upon its release, Hibernia charted on four different Billboard charts, including the World Music, Classical Crossover, Heatseekers, and Classical charts. Máiréad also released a special album, reaching back to her family roots called “ The Nesbitt Family – Devils Bit Sessions”. In 2017 the “Máiréad Nesbitt Celtic Violin Collection” was launched and is available exclusively online and in specialty shops in North America and Ireland.  Máiréad has appeared with the City Chamber Orchestra of Hong Kong, Berne Symphony Orchestra, Atlanta Symphony Orchestra and more. 

 

HENRY ARONSON (Piano) is among the most in-demand music directors in the Broadway theatre. He was the music director/conductor/keyboardist for the Broadway run of Rock of Ages. Also on Broadway, he was music director for Grease, The Times They Are A-Changin, In My Life, Little Shop of Horrors, Rent, Rocky Horror Show and Starmites; associate conductor of Cry Baby, Good Vibrations, Parade, Saturday Night Fever, Mail and Prince of Central Park; and conducted The Who’s Tommy and On Your Feet; he also conducted and played many seasons of the Radio City Christmas Spectacular. Off-Broadway, he conducted at Cagney, was music director of Once Around the Sun (Zipper), King Lear (Public Theater, starring Kevin Kline), The Wind in the Willows (New Victory), 3 Guys Naked From the Waist Down (Minetta Lane), and numerous productions at Playwrights Horizons and Naked Angels. He studied piano at Mannes College of Music, and received his Music degree from Columbia University. His musical Loveless Texas, which he wrote with his wife Cailín Heffernan, was produced this year by Boomerang Theatre Company at the Sheen Center in New York City.

 

MAT FIELDES (Bass) is a very active bass player on the New York freelance scene. He has collaborated with artists such as Jay-Z, Gorillaz, Joe Jackson, Ornette Coleman, John Cale, Peter Erskine, Jim Steinman, Sufjan Stevens, Steve Vai, PaquitoD’Rivera, Kristjan Jarvi, Joe Williams, Arturo Sandaval, Toni Tennille, Kelli O’Hara, and many others. Mr. Fieldes tours extensively as the solo bassist for Absolute Ensemble, an electro-acoustic crossover chamber orchestra, which performs at major venues worldwide. Broadway credits include: Mamma Mia, The Book of Mormon, Next to Normal, Billy Elliot, South Pacific, Mary Poppins, Kiss Me Kate, The Full Monty, Legally Blonde, and Saturday Night Fever,and Matilda. He has played with the New Zealand Symphony, New Jersey Symphony, Auckland Philharmonia, Brooklyn Philharmonic, Key West Symphony (Principal), Long Island Philharmonic, Westchester Symphony, Moscow Chamber Orchestra, New Zealand String Quartet, New Zealand Trio, Continuum, Bronx Arts Ensemble, and has recently appeared in major festivals in Mexico City, Bremen, El Paso, Adelaide, and Montpellier.

 

ALEX ALEXANDER (Drums, Percussion) is a “first call” session drummer/percussionist residing in New York. He has performed and recorded with artists such as David Bowie, Dido, Eminem, Ritchie Blackmore, Rickie Lee Jones, Jimmy Cliff, YoussouN’Dour, Joy Askew, Bernie Worrell from P-Funk, Bruce Springsteen, The Association, Toots and the Maytalls, Sophie B. Hawkins, J.C. Chasez from NSYNC, Montell Jordan, Willie Nile, Dougie Fresh, Bebel Gilberto, Julia Fordham, The Barrio Boyzz, Eljuri, Chaka Kahn, Buddy Miles, and more. Alex has also performed on many soundtracks for films, including the cult classic, The Search For One-Eye Jimmy, the multi-award winning HBO film, Liberty Kid, the HBO film, Forged, as well as the soundtrack to the Academy Award winning documentary, Born Into Brothels. Alex has invented an instrument called the Electric Djembe. Using African djembes, ethnic percussion, Shure wireless microphones, and custom Guitar F-X pedals and loop boxes, Alex creates sounds that range from drum machine emulation to ambient keyboard pads and washes. His unique blend of hand percussion and guitar effects pedals can be heard on television and film soundtracks, which he composes through his production company, Perpetual Motion Productions.

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Whitney Holden Gore
Vivacity Media Group
1650 Broadway, Suite 609, New York, NY 10019
212-812-1483